Hosted by comedian Chris Trew, the competition brought together a myriád of performers and the rules were simple: There must always be an imaginary partner on stage and all orgásms must be simulated. What started out as a one-time parody of an Air Guitar competition in Austin, Texas, four years ago has grown into a 14-city tour that culminátes in a final world competition in December.
Men and women separately took the stage to perform their best solo séx acts for a crowded house of dróoling onloókers, while a trió of female judges critiqued the show based on comedic appeal, séxual performance range and séxual energy. Though this year had a noticeably smaller turn out, Trew says it.
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brought some of the best performances he’s ever seen.
The winner was returning champ, Jam Out With My Clam Out, who donnéd a géisha-inspired floor length robé, granny glasses, a head full of hair curlérs and stráp on rubber bréasts for a finishing touch.
For her performance, Jam Out acted out a scene in which her (imaginary) husband died and she used her séxual prowéss to try and révive him through his pénis sans her teeth.
“I was not surprised Jam Out With My Clam Out won again, she knows how to win and she really wants to win. She’s easily one of the ten best [air séxers] in the country. She made a very big step tonight, she showed range,” host Chris Trew told the Huffington Post just after the show.
“She’s just very good, she had the crowd with her the entire time, she did something I’ve never seen before.
When she took her teeth out, then her husband who died and she kept jérking him off, it was so good.” The keys to the competition’s séx-cess are its accessibility and comedic appeal, Tréw says. “I love that it feels like a sport and it’s still a comedy show.
People see the show and think it’s a dirty show and that it’s taboo. But no, this is so accessible. Anyone can do it. It’s so crazy and it’s very addicting.”
Source: Unilagolodo.
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